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广州东朝寻宝:稀有瓷器——乌金釉撒金葵口瓶

信息来源:cccwww.com   时间: 2021-02-01  浏览次数:27

浊世藏金,古玩藏瓷,中国人对于瓷器的那份喜欢从古至今从未消退。在中国的制瓷历史上,最鼎盛的时期莫过于清代。清代既传承了明代的青花、五彩,又在其基础上开创了粉彩、珐琅彩和古铜彩等多种彩瓷技术。清代各种釉色品类繁多,乌金釉就是其中不可忽视的一种。

The turbid world of gold, antiques and porcelain, the Chinese people"s love for porcelain has never faded since ancient times. In China"s history of porcelain making, the most prosperous period is the Qing Dynasty. In the Qing Dynasty, the blue and white colors of the Ming Dynasty were inherited, and on the basis of it, a variety of colorful porcelain techniques such as pastels, enamel and bronze were created. There were many kinds of glazes in the Qing Dynasty, and Wujin glaze was one of them that could not be ignored.

今日藏友褚女士就为大家带来瓷器——乌金釉撒金葵口瓶。

Today, Ms. Zang Youyi brought porcelain, Wujin glaze, and gold bottle.

广州东朝寻宝:稀有瓷器——乌金釉撒金葵口瓶

口径:6.5cm 高:17.8cm 底径:6.5cm

Caliber: 6.5cm Height: 17.8cm Bottom diameter: 6.5cm

乌金釉,它是黑釉中最莹亮的一种。明代成化年间,景德镇的艺人在宋代黑釉的基础上发展乌金釉,但当时烧成极不稳定,也不流行。清代康熙时,乌金釉精制于督陶官臧应选,雍正、乾隆年间,唐英亲手参与了工艺制作。

Wujin glaze, it is the brightest of the black glaze. During the Ming Dynasty, the artists of Jingdezhen developed Wujin glaze on the basis of the black glaze of the Song Dynasty, but the burning was extremely unstable and not popular. During the Kangxi reign of the Qing Dynasty, Wujin glaze was refined in the pottery of Guan Du, and during the reign of Emperor Yongzheng and Qianlong, Tang Ying personally participated in the craft production.

广州东朝寻宝:稀有瓷器——乌金釉撒金葵口瓶

传世康、雍、乾的乌金釉瓷器多用描金装饰,也有黑地白花的。蓝浦《景德镇陶录》载:“乌金釉黑地白花、黑地描金两种,系新制。”

The black gold glazed porcelains handed down from Kang, Yong and Qian were decorated with gold, and there were also black and white ones. According to the Jingdezhen pottery records by Lanpu, "there are two kinds of black gold glaze, white flower and black description of gold, which are new systems."

此瓷瓶古朴典雅,线条优美流畅,予人高贵静穆之美。器全身施乌金釉,釉质细腻,色黑如漆,光润透亮,净亮如镜。瓶身上的撒金更显珍贵,底呈圈足,器型小巧细媚,釉色莹润,宝光内敛,不可多得。

This porcelain bottle is simple and elegant, with beautiful and smooth lines, giving people a noble and quiet beauty. The whole body is applied with enamel glaze, the enamel is fine, the color is black as lacquer, the light is smooth and translucent, and the net is bright like a mirror. The gold on the bottle is more precious, the bottom is in a circle, the shape is small and delicate, the glaze is radiant, and the treasure is restrained.

广州东朝寻宝:稀有瓷器——乌金釉撒金葵口瓶

乌金釉较之其他单色釉瓷器的清馨淡雅,更加深沉似水,凝重华贵,自有气势,更为名贵。特别值得一提的是,由于当时工艺水平有限,乌金釉极不易烧制成功,成品率极低,所以存世量很少,极具收藏价值。

Compared with other monochromatic glazed porcelains, Wujin glaze is more delicate and elegant, deeper and more watery, dignified and luxurious, and more noble. It is particularly worth mentioning that due to the limited level of technology at the time, Wujin glaze was extremely difficult to fire successfully, and the yield rate was extremely low, so it was rare in existence and highly collectible.

广州东朝寻宝:稀有瓷器——乌金釉撒金葵口瓶

乌金釉因釉料主要取自景德镇附近所产的乌金土而得名。以康熙朝作品为代表,是景德镇窑利用含铁量13.4﹪的乌金土制釉而烧出的一种光润透亮、色黑如漆的纯正黑釉。康熙之后乌金釉较少见,所以此件藏品具有很高的收藏价值、观赏价值和市场经济价值。

Wujin glaze is named after the glaze is mainly taken from the Wujin soil produced near Jingdezhen. Represented by Kangxi Dynasty"s works, it is a kind of pure black glaze that is burnt and bright, black and lacquered by Jingdezhen kiln, which is made of Wujin clay glaze with 13.4% iron content. Wujin glaze is less common after Kangxi, so this collection has a high collection value, ornamental value and market economic value.

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